#scumbling technique

[zero-zoxx-international]

Staatschef, sanft im Matschbad voll mit Regenwürmern und Maden landend (Head of State, Landing Gently in the Mud Bath Full of Earthworms and Maggots), 1944 by Max Ernst

[artisticdivasworld]

Pastels: Mastering their Use

Pastels have been a beloved medium for artists for centuries, offering a unique blend of vibrant color and delicate texture. In this comprehensive guide, we delve deep into the world of pastels, exploring their history, types, techniques, and how to master their use for stunning artworks. Today, we begin a series about the different types of art mediums available today for you to experiment…

[literaryvein-reblogs]

Writing Notes: Watercolour Techniques

1. Scraping and Scumbling

Scraping is a technique artists use that involves using a knife or thumbnail to scrape away dried pigment and expose the paper below.

The artist J.M.W. Turner created the bright white highlights on the waves using this technique in his painting Longships Lighthouse, Lands End.

Scumbling is a technique that artists use to build a textured, layered surface that creates depth.

It involves applying paint in a rapid figure-eight or circular manner to the colors below.

He used his thumb nail to scratch at the surface of the watercolor paper to remove the darker color.

When using this technique, it is important to work while the paper is damp or wet.

2. Layering

Layering the paint in thin translucent watercolor washes creates depth and sense of movement.

J.M.W. Turner later added the warm earth colors to define the waves and added opaque areas of white gouache to create the bright highlights on the waves.

3. Blotting and Wet on Wet

Blotting involves removing wet pigment with a sponge or a rag.

In this painting, artist J.M.W. Turner used blotting to create the flickering illumination from a distant lighthouse at the middle left.

Wet on Wet involves wetting the paper before applying color with a brush.

Turner used wet-on-wet technique to create the atmospheric effects on the left-hand side of the watercolor.

THE FULL PAINTING:

Writing Notes & References

[gobstoneswithhector]

WIP (plus painting process)

Here’s a painting I’m working on for my fic.

I start off with a sketch of my reference. Then, I add shapes and value and some details. Next, I blend my colors and shapes together. Last, I add more brushstrokes, refined details, and defined form.

I use Procreate and an Apple Pencil. The brushes I used here are the Clean Sketch (Max GouachePack), 6B Pencil (default Procreate brush), Scumble Canvas (Oil MaxPack), and Rough Oil Canvas Flat (Oil MaxPack). To blend I used the Pastel Smudge (Gabrielle Brickey) and Bold Oil Smudge (Oil MaxPack).*

I play around with a lot of brushes, and I don’t feel like I have a consistent style, so a lot of my work varies.

Anyway! Just wanted to share how I draw and paint portraits in case it’s helpful for anyone.

*I really recommend Gabrielle Brickey for learning some basic and foundational art techniques and Max Ulichney for brushsets and character design help.

[desimonewayland]

A large beech, leather and coir scumbling brush, late 19th/early 20th century

Scumbling in art refers to a painting technique that involves applying a thin layer of paint with a dry brush and a loose hand over an existing layer. The idea is to allow parts of the already existing paint below to remain exposed.

In most cases, scumbling is used over dried paint, but you can also use it over wet paint. You just need to be careful with the colors blending together if you are scumbling over wet paint.

Sotheby's

[kevinbaguyoarts161]

I had a great group painting session with Tommy, and Gabby we applied the Impasto technique to the above work. In which we used a medium to mix with acrylic, to give more texture to our work; allowing for a more 3D look.

Impasto: Impasto is a technique where paint is applied in thick, textured layers, creating a three-dimensional effect. The brushstrokes are often visible, adding a sense of depth and physicality to the painting.

Fat over Lean: This is a principle in oil painting where each successive layer of paint should have more oil content than the previous one. "Fat" refers to a higher oil content, and "lean" refers to less oil. This technique helps prevent cracking in the paint layers as the painting dries.

Wet in Wet: As previously explained, wet-in-wet is a painting technique where wet paint is applied onto a wet surface, allowing colors to blend and create soft transitions.

Alla Prima: Also known as "direct painting," alla prima is a painting technique where the artwork is completed in one sitting. Artists work wet paint into wet paint without waiting for the layers to dry.

Imprimatura: Imprimatura is an initial layer of thin, transparent paint applied to a canvas before the main layers of paint. It provides a toned base, influencing the overall color harmony of the painting.

Underpainting: An underpainting is an initial layer of paint that serves as a base for subsequent layers. It helps establish the overall composition, values, and sometimes the color scheme of the final painting.

Scumble: Scumbling involves applying a thin, translucent layer of paint over a dry layer. This technique is often used to modify colors, create atmospheric effects, or add a hazy quality to a painting.

Plein Air: Plein air refers to painting outdoors, directly from the subject in its natural environment. Artists capture the effects of natural light and atmosphere on their subject.

Scraffito: Scraffito is a technique where a top layer of paint is scratched or scraped away to reveal the layer underneath. This can create textured and intricate designs.

Dry Brush: Dry brushing involves using a brush with very little paint on it. This technique creates a scratchy, textured effect as the brush skips over the surface, capturing the raised areas.

@richtw28 @gabbyshakk @annas2024painitng1class

[k00297230]

Movement

Hello you effervescent eggs!

It's the start of Semester 2 with the new brief with the word

★ Movement ★

This Semester our work is interdisciplinary where we work in three disciplines throughout the 7 weeks we have. the 3 disciplines I have chosen to do include:

Animation

Graphic Design

Painting

the first week we had was dedicated to research and forming ideas. I must admit, I struggled doing said thing as I wasn't feeling super inspired by the word movement. I did a brainstorm to try and map out my thoughts.

I didn't form a concrete idea from this but liked the idea of creating movement in inanimate objects.

I then researched movement in art and searched for ways it can be expressed through a more practical means.

The first piece by Giacomo Balla is title 'Dynamism of a Dog on a Leash.' it's a futuristic oil painting done in 1912. The repetition of line in the dog and person creates movement and is reminiscent of cartoons in their framework all laid out in their animation. I found that engaging and the movement to be not only obvious but exaggerated especially in the leash.

I did want to do some gesture drawing in this project to an extent and looked at artists including George Meyer Wiel. He is a costume designer for dancers, plays and operas and an artist who is able to produce exciting movement in their gestures.

I also looked at John Singer Sargent's 'La Carmecita Dancing' (1890) which was an unfinished painting due to the difficulty in conveying the energetic dance. I still really like this piece and gesture of the model with their dress exploring movement in the way it moves along with them. it's dramatic and loose with it's brush strokes in parts of the clothing that moves the most with her.

This brought me to look at different ways texture, brush/line work can be used to create movement which had me looking at works from impressionism and post impressionism movements. I looked at Vincent Van Gogh's 'The Mulberry Tree in Autumn' (1889). The use of short brushstrokes and thick paint forms a sense of whimsical movement which I quite enjoy.

I also loved the brush work in Joaquín Sorolla's 'On the rocks at Javea' (1905). the short thick painted strokes create an almost water ripple effect where the painting has an illusory movement in it, emphasized by the presence of water in the piece. I like the use of these brush strokes in a more realistic composition as opposed to Van Gogh's work.

I also discovered the technique of scumbling through J. M. W. Turner's Snow Storm (1842). Scumbling is where a thin layer of opaque or semi-opaque colour is applied usually in a scrubbing motion onto a dry surface to create texture. It's often used with brighter opaque colours to brighten darker areas. This effect can be seen in the way Turner illustrated fog in his piece.

The last piece I looked at was 'Dynamism of a Cyclist' (1913) by italian futurist Umberto Boccioni. This piece explores speed through line and shape as the head of a motorcycle speeds through what seems like time and space through the explosive use of colour and non descript background. It's playful but intense and I like that.

Even through all this research I didn't really have a solid idea to launch my project from for the next week, so I was a little concerned.

[nicospaintinfall24]

Acrylic Tonal Underpainting Pt.2

Sooo this is a more updated version. I love the “LESS” Letters on the right and working from still life I feel like I was able to imitate the shadows but they don’t look right. And I look back at the still life and it’s like nope it’s there. I used the scumbling technique where with a dry brush I’d add a bit of paint and with circular motions I’d add the technique. However, at times the background would match the color of the letters too much and that can’t be right because my background is darker than my letters. And so, I’d wipe it off. But it’s fine. Maybe now that we had off on Wednesday, I can take some extra time to work on it again with a new pair of 👁️👁️.

Either way I think it’s okay because this is a beginners painting class and we are here to try new things out of our comfort zone! Remember everything is a learning experience and we need to give ourselves some grace every now and again. 🤗

[klutzcertified]

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Canvas Painting Studio

Learn techniques used by professional artists in the 24-page book full of tricks and techniques like scumbling, sgraffito, impasto, and more. Paint and embellish on 18 sheets of high quality art with trendy themes.

Make Your Own Mini Erasers: Kawaii Style

Make your kawaii dreams come true with magical, bakeable, and moldable eraser clay. This kit includes a rainbow of clay, a custom clay-shaping tool, safety-tested metal eyes for the erasers, and a punch-out paper display to show off your creations.

Just Checking In

Express and explore feelings with this artsy activity book! Organized by color, the book offers tons of activities, all in a portable, backpack-stashable format. With more than 100 prompts, here's a book you can turn to again and again–no matter what kind of mood you're in.

[morningliqht]

I low key didn’t know how to start painting it after I sketched it out. I started out with wet brush and paint, diluting it as I go. As I wanted to layer to feel more confident with the painting. I did try scumbling however I didn’t enjoy the result of it. Might have been user error but I find that even with my dry brush and add a smallest amount of white. It wasn’t giving the results I needed for the word till. You can kind of see where I started trying scumbling with the i and l. I don’t have the photo of the maquette but there is a slight shadows on the words. It doesn’t show on the painting, I might have to go add more white to show the contrast unfortunately and lighten some area as well more to match the tonal value. I think scumbling technique might have been too small the words. It does work out well over the background where I needed to show the contrast between the light and dark.

[longlistshort]

Mark Rothko’s painting No.3/No.13, 1949, is currently on view at the Museum of Modern Art in NYC. The image above is a copy of it, painted on a garage door in Brooklyn.

From the museum about the work-

No. 3/No. 13 is an early example of a compositional structure that Rothko would continue to explore for more than two decades. Narrowly separated blocks of color hover against a colored ground. Their edges are soft and irregular, so that when Rothko used closely related tones the blocks sometimes seem barely to emerge from the ground. The green bar in No. 3/No. 13, on the other hand, appears to vibrate against the orange around it, creating an optical flicker. In fact, the canvas is full of gentle movement, as blocks emerge and recede and surfaces seem to breathe. Just as the edges tend to fade and blur, the colors are never completely flat, and the faint unevenness in their intensity reveals the artist’s exploration of the technique of scumbling: by planting bold colors on top of a haze of translucent layers of paint, he created ambiguity, a shifting between solidity and impalpable depth.

The sense of boundlessness in Rothko’s paintings has been related to the aesthetics of the sublime, an implicit or explicit concern of a number of his fellow painters in the New York School. The remarkable color in his paintings was for him only a means to a larger end: “I’m interested only in expressing basic human emotions—tragedy, ecstasy, doom,” he said. “If you…are moved only by…color relationships, then you miss the point.”

His page on Wikipedia quotes his “recipe for a work of art- its ingredients- how to make it- the formula” from a lecture he gave at Pratt Institute in 1958-

There must be a clear preoccupation with death—intimations of mortality … Tragic art, romantic art, etc., deals with the knowledge of death.

Sensuality. Our basis of being concrete about the world. It is a lustful relationship with things that exist.

Tension. Either conflict or curbed desire.

Irony, This is a modern ingredient—the self-effacement and examination by which a man for an instant can go on to something else.

Wit and play … for the human element.

The ephemeral and chance … for the human element.

Hope. 10% to make the tragic concept more endurable.

“I measure these ingredients very carefully when I paint a picture. It is always the form that follows these elements and the picture results from the proportions of these elements.”

[coconutsplit]

Certainly! If you're interested in the craft behind art, here are some questions that might guide your exploration:

General Questions

What are the fundamental elements of art (line, shape, color, texture, etc.) and how do artists use them to create meaning?

How does an artist's choice of medium (e.g., oil, watercolor, sculpture, digital) impact the final work?

What are the basic techniques used in different forms of art (e.g., painting, drawing, sculpture, digital art)?

How does an artist develop their unique style, and what role do influences and training play in this process?

What is the importance of composition in visual art, and how do artists achieve balance, contrast, and harmony?

Painting and Drawing

What are the differences between various painting techniques, such as glazing, scumbling, and impasto?

How do artists use light and shadow (chiaroscuro) to create depth and realism in their work?

What is the role of underpainting in the painting process, and how does it affect the final image?

How do color theory and the color wheel influence an artist's palette choices?

What are the key differences between classical and modern approaches to drawing?

Sculpture

What are the primary methods of sculpting, such as carving, modeling, and casting, and how do they differ?

How do sculptors work with different materials (e.g., stone, wood, metal, clay) and what are the challenges associated with each?

What is the significance of negative space in sculpture, and how do artists manipulate it?

How do contemporary sculptors integrate new technologies or materials into their practice?

What role does texture play in sculpture, and how do artists create and emphasize it?

Digital Art

What software and tools are most commonly used in digital art, and how do they compare to traditional methods?

How do digital artists create textures, lighting, and realism in their work?

What are the challenges and advantages of creating art in a digital medium compared to traditional forms?

How do artists use digital technology to push the boundaries of what’s possible in visual art?

What is the role of interactivity in digital art, and how does it change the viewer’s experience?

Art Theory and Criticism

How do artists convey emotion and narrative through abstract forms?

What are the principles of art conservation, and how do they ensure the longevity of artworks?

How has the role of the artist evolved from classical times to the modern era?

How do art movements (e.g., Impressionism, Cubism, Surrealism) influence the techniques and approaches of artists?

What is the relationship between craft and concept in contemporary art?

These questions can guide you in learning about the techniques, tools, and philosophies that underlie the creation of art across different mediums and historical contexts.

[candiceg3010]

Discover the Joy of Painting Classes

Painting classes offer a wonderful opportunity for individuals to explore their creative potential. Whether someone is a complete beginner or has some experience, these classes provide structured guidance to help refine artistic skills. From oil painting to watercolors, there's a class suitable for every interest.

Benefits of Attending Art Painting Classes for Beginners

Structured Learning: Beginners benefit from a step-by-step approach, making the learning process less overwhelming.

Expert Guidance: Experienced instructors provide valuable tips and techniques.

Community Engagement: Classes foster a sense of community, allowing students to share and learn from each other.

Stress Relief: Engaging in art can be a great way to relax and reduce stress.

Types of Painting Classes Available

Oil Painting Classes Near Me

These classes focus on the rich and versatile medium of oil paints.

Students learn about mixing colors, layering, and creating texture.

Suitable for both beginners and intermediate artists.

Watercolor Painting Classes

Ideal for those who appreciate the fluidity and transparency of watercolors.

Techniques such as wet-on-wet, dry brush, and washes are covered.

Great for creating landscapes, florals, and abstract art.

Acrylic Painting Classes

Acrylics are known for their fast drying time and vibrant colors.

Students explore various techniques, including glazing, scumbling, and impasto.

Perfect for artists who enjoy experimenting with mixed media.

Online Painting Tutorials

For those unable to attend in-person classes, online painting tutorials offer a flexible alternative. These tutorials provide:

Convenience: Learn at your own pace from the comfort of your home.

Variety: Access to a wide range of styles and techniques.

Interactive Elements: Many platforms offer live sessions and feedback from instructors.

Choosing the Right Painting Class

When selecting a painting class, consider the following:

Skill Level: Ensure the class matches your current skill level.

Medium Preference: Choose a class that focuses on the medium you are most interested in.

Instructor Experience: Look for classes taught by experienced and reputable instructors.

Location and Convenience: For in-person classes, consider the proximity and schedule. For online tutorials, check the platform's user-friendliness and support.

Painting classes are a fantastic way to dive into the world of art. Whether attending art painting classes for beginners, searching for oil painting classes near me, or exploring online painting tutorials, there's a perfect option for everyone. Embrace the creative journey and discover the joys of painting today.

To locate “Painting classes��� effortlessly, download the Justdial app (JD App). Simply search “Painting classes” within the app to discover nearby outlets and access detailed information about their offerings and locations. easy and convienient.

[ukrainianvintage]

Oil paintings have long captivated art enthusiasts with their rich textures and luminous colors, providing a medium of expression that is both timeless and versatile. Among the myriad of oil painting genres, portraiture stands out for its ability to convey the depth and nuances of human expression. Whether you're an aspiring artist or looking to refine your skills, this guide will walk you through the essential steps of painting portraits in oil.

Introduction to Oil Portraits

Oil painting is a centuries-old art form that allows for a depth of color and detail unmatched by other mediums. Portraits, in particular, demand a keen eye for detail and an understanding of human anatomy, as well as the subtleties of light and shadow.

https://ukrainianvintage.com/collections/klimenko-elena

Materials You'll Need

To embark on your journey of painting oil portraits, you'll need the following materials:

Oil Paints: Invest in a good quality set that includes primary colors, earth tones, and a few additional hues like Alizarin Crimson and Ultramarine Blue.

Brushes: A variety of brush sizes and shapes, including round, flat, and filbert brushes, will help you achieve different effects.

Canvas or Panel: Choose a canvas or panel that is pre-primed with gesso.

Palette: A glass or wooden palette works best for mixing colors.

Mediums: Linseed oil and mineral spirits for thinning paint and cleaning brushes.

Palette Knives: Useful for mixing paint and creating texture.

Easel: A sturdy easel will support your canvas and provide the best angle for painting.

Steps to Painting an Oil Portrait

1. Preparation

Start by preparing your canvas. Sketch the basic outline of your subject using a light pencil or thinned oil paint. Focus on getting the proportions correct; this will serve as the foundation for your painting.

2. Underpainting

Begin with an underpainting, a monochromatic base layer that defines the basic shapes and values. Use a diluted mixture of raw umber or burnt sienna. This step helps establish the tonal range and composition without the distraction of color.

3. Block in Colors

Once the underpainting is dry, start blocking in the main colors. Use larger brushes for this step and work broadly, focusing on the major color areas and values. Don't worry about details at this stage; concentrate on capturing the general appearance.

4. Modeling the Form

Gradually refine the portrait by adding layers of paint. Transition to smaller brushes and more detailed work. Pay attention to how light interacts with the form, creating highlights and shadows that give the portrait depth and dimension. Use glazing techniques to build up color and achieve realistic skin tones.

5. Detailing

As you progress, begin to incorporate finer details such as the features of the face, hair, and clothing textures. Be mindful of the subtle variations in color and value that bring realism to your portrait. This step often requires patience and a steady hand.

6. Final Touches

Evaluate your portrait for overall balance and harmony. Make any final adjustments to enhance the likeness and expression of your subject. Add highlights and the finest details, ensuring that the focal points are well-defined.

Tips for Successful Oil Portraits

Study Anatomy: Understanding human anatomy will improve your ability to capture accurate proportions and details.

Observe Light and Shadow: Mastering light and shadow is crucial for creating depth and realism.

Experiment with Techniques: Don't be afraid to experiment with different techniques like glazing, scumbling, and impasto to add texture and interest.

Practice Regularly: Consistent practice is key to developing your skills and refining your style.

Conclusion

Learning how to paint oil portraits can be a rewarding journey that combines technical skill with creative expression. By mastering the fundamentals and exploring different techniques, you can create portraits that not only capture the likeness of your subjects but also convey their personality and essence. Remember, the key to success lies in practice, patience, and a willingness to learn and adapt. Happy painting!

Explore more tips and techniques on Ukrainian Vintage and embark on your artistic journey today.

[graphcoalportrait]

 Mastering the Art of Oil Painting: Techniques, Tips, and Inspiration

Introduction:

Oil painting is a timeless and captivating art form that has been cherished by artists and art enthusiasts for centuries. The rich, vibrant colors and textures achieved through oil paints make this medium a favorite among artists seeking to express their creativity and emotions on canvas. In this blog post, we will delve into the world of oil painting, exploring its techniques, providing valuable tips, and offering a dose of inspiration for both beginners and experienced artists.

Essential Oil Painting Supplies:

Discuss the basic supplies every aspiring oil painter should have, such as brushes, canvas, oil paints, solvents, and easels. Explain the importance of quality materials and their impact on the final artwork.

Choosing Your Colors:

Explore the vast range of oil paint colors available and how to select a palette that suits your style and subject matter. Explain the significance of color theory in oil painting.

Understanding Oil Painting Techniques:

Introduce fundamental techniques like glazing, impasto, scumbling, and alla prima. Describe each technique's unique characteristics and when to use them in your artwork.

Brushwork and Texture:

Discuss the role of brushwork in oil painting and how it can influence the mood and style of your artwork. Provide examples of different brushstroke techniques and their effects on texture.

Composition and Design:

Share tips on how to create balanced and visually engaging compositions in your oil paintings. Explain the rule of thirds, focal points, and other design principles.

Working with Layers:

Explain the process of layering in oil painting, including underpainting, building up layers, and adding finishing touches. Share insights on achieving depth and luminosity in your artwork.

Troubleshooting Common Issues:

Address common challenges in oil painting, such as drying time, color mixing problems, and brush care. Provide solutions and tips for overcoming these obstacles.

Famous Oil Painters and Their Styles:

Highlight renowned oil painters throughout history, such as Leonardo da Vinci, Vincent van Gogh, and Frida Kahlo. Discuss their unique styles and contributions to the medium.  

Finding Inspiration:

Share strategies for finding inspiration for your oil paintings, from nature and personal experiences to art movements and other artists' work. Encourage readers to keep a sketchbook for ideas.

Oil Painting as Therapy:

Explore the therapeutic benefits of oil painting, including stress relief, self-expression, and mindfulness. Share personal anecdotes or stories of artists who have found solace in their art.

Conclusion:

Oil painting is a versatile and rewarding artistic pursuit that offers endless possibilities for creative expression. Whether you're a beginner looking to embark on your oil painting journey or an experienced artist seeking new techniques and inspiration, this blog post has provided valuable insights to help you master the art of oil painting. Embrace the medium's rich history and let your imagination flow onto the canvas, creating timeless works of art that speak to your soul and captivate viewers for generations to come.

[acrylicpaintings]

Step-by-step guide to fixing common acrylic painting mistakes

Now that we've explored the common mistakes in acrylic painting and discussed various techniques for correcting them, let's dive into a step-by-step guide to fixing these blunders.

Assess the mistake: Before you can fix a mistake, it's important to identify what went wrong. Take a step back from your painting and analyze the areas that need correction.

Plan your approach: Once you've identified the mistakes, plan your approach for correcting them. Consider the techniques we've discussed, such as glazing, scumbling, or lifting off, and decide which one is most suitable for the specific mistake you need to fix Acrylic Painting Mistakes.

Gather the necessary tools: Make sure you have all the tools and materials required for the correction process. This may include a palette knife, soft-bristled brush, spray bottle, sandpaper, eraser, or any other tools relevant to the mistake you're fixing.

Start with small corrections: Begin by making small corrections and gradually build up to larger ones. This will allow you to assess the progress and make adjustments along the way.

Work in layers: Acrylic paint dries quickly, so it's important to work in layers when correcting mistakes. Apply thin layers of paint and allow each layer to dry before adding more. This will help you achieve a more seamless correction.

Step back and evaluate: Periodically step back and evaluate your progress. This will help you determine if the correction is heading in the right direction or if further adjustments are needed.

Practice patience: Correcting mistakes can be a time-consuming process, so it's important to practice patience. Don't rush through the correction process and take the time to ensure each adjustment is done carefully.

By following this step-by-step guide, you'll be well on your way to correcting common mistakes in acrylic painting and creating stunning artworks.